- #M audio profire for mac os#
- #M audio profire mac os#
- #M audio profire drivers#
- #M audio profire driver#
- #M audio profire windows 7#
Back in the late ’90s the success of M-Audio’s range was already developing a reputation for highly quality, rock solid drivers and innovative A/D and D/A solutions. It’s roughly ten years ago that I first recommended M-Audio’s Audiophile Delta 24/96 to people looking for an affordable, full-featured soundcard with decent sounding converters. It is available for approximately $400 from your finer online music equipment retailers.įor more information on M-Audio’s ProFire 610 visit: for pound, this digital interface offers more features than virtually anything on the market. The M-Audio ProFire 610 is highly recommended for those with a FireWire 800 or FireWire 400 interface available and more than basic audio needs. Beyond the fidelity improvement (which is notable), it is extremely nice to be able to use the 610’s master volume control to get sound levels just so. It locks solidly and musically onto the 48 kHz sampling frequency present in most of my old DAT tapes.įinally, the ProFire 610’s analog outputs cleanly and precisely drive my M-Audio Studiophile LX4 near field monitors. The ProFire 610 has been effective when taking input from my Sony PCM-R500 DAT (a relic from the last century that still gets a surprising amount of use). The 610 can also drive different headphones quite capably and having two headphone outputs with independent volume is quite useful. The ProFire 610’s Octane microphone preamps (seen mostly in higher-end M-Audio equipment) are excellent and have matched well with the various microphones I have used. Despite being at the end of an extended FireWire chain (three large hard disks), it has functioned reliably and flexibly - I have had no issues with the step-down from FireWire 800 to FireWire 400. It’s always connected via FireWire to my aging 2009 iMac 24-inch and it gets used for not only the obvious semi-pro functions (Pro Tools, Logic, GarageBand, etc.) but also for the less obvious and consumer functions (Roxio Toast, iTunes, games, etc.). This solidly built little interface has worked hard for me in the approximately 18 months I have owned it.
#M audio profire mac os#
In both Mac OS and Windows, the control panel allows routing of analog inputs, that all-important S/PDIF input and output, software returns, and analog outputs.
In Windows, the control panel is accessed by double-clicking the red M-Audio icon in the system tray. In the Mac OS, the control panel is accessed from a preference pane in System Preferences.
#M audio profire driver#
Response is usually fairly quick to new operating systems: the ProFire 610 had a working Mac OS 10.7 driver a couple of weeks before Lion was actually released.
#M audio profire windows 7#
On the Windows side, drivers range from Windows 7 SP1 back to Windows XP SP2 (though if you insist on running XP you should definitely be running SP3!).
#M audio profire for mac os#
M-Audio has released drivers for the ProFire 610 for Mac OS 10.7 back to 10.4.x. The back of the unit is not as glamorous as the front: from left to right, there’s a 12 volt DC/2.5 amp input, two FireWire 400 inputs, a MIDI in and out, S/PDIF in and out, eight 1/4-inch line outputs, and two 1/4-inch line outputs. Finally, there’s a master volume knob, a phantom power switch with indicator, and a power switch with indicator. Moving to the right, there are two 1/4-inch headphone jacks with accompanying volume knobs. Up front, what stands out from the black metal case are the two XLR inputs, each with phantom power, a 20 dB pad, and signal/peak LED indicator lights. The ProFire 610 could be considered the replacement for the FireWire 410 (released in 2004), but to me it is a substantial upgrade. The 8.5-inch wide ProFire 610 is the “little brother” of M-Audio’s ProFire 2626 rack mount interface, but gives up little besides additional preamps, ADAT connectivity, and optical S/PDIF. Crosstalk is less than -105 dB except at the headphone outputs. The ProFire 610’s audio specifications are solid: microphone and line signal to noise ratios are both -108 dB (A-weighted) while frequency response is 20 Hz to 20 kHz +/- 0.2 dB across the board. If not attached to a computer, the 610 can be used as a standalone pre-amp. Avid/M-Audio’s ProFire 610 is a 24-bit/192 kHz FireWire audio interface with two pre-amps, a coaxial S/PDIF input and output, a user assignable master volume knob, and (don’t knock it!) good looks.
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